I am disturbed for instance when I read that a candidate said, 'I will not probe anybody or something like that'. You don't fight corruption by sweeping everything under the carpet, you don't.

The media must be used effectively to reach the masses. You have to find a new language in which to address the people and demonstrate what is possible.

As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.

If I were sure I would pass the physicals, I would be on the next space shuttle to Mars or some other planet. I'll leave the calculations and the navigational tasks to you while I bask in your ingenuity. Find me a place in the capsule and watch me outdo Michael Jackson's moonwalk to the music of the spheres.

I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.

The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.

Books and all forms of writing are terror to those who wish to suppress the truth.