You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.

The idea of having to make constant reference to politics is anathema to my calling as a writer.

I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.

I am a glutton for tranquility.

Only 4 sets of people can vote for the PDP: (1) those who are intellectually blind; (2) those who are blinded by ethnicity; (3) those who are blinded by corruption and therefore afraid of the unknown, should power change hands; and finally (4) those who are suffering from a combination of the above terminal sicknesses.

If you are corrupt and you have extra cash you are able to shut the mouth of your accuser and they will be silenced.

The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.