And I believe that the best learning process of any kind of craft is just to look at the work of others.

Mythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.

For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.

Everybody knows that fraternities are a normal culture in all colleges. It exists in all colleges. President Clinton was a member of a fraternity. In fact, anybody who goes to College in the United States is a member of a College fraternity. There is absolutely nothing evil or occultic about fraternity.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.

You cannot live a normal existence if you haven't taken care of a problem that affects your life and affects the lives of others, values that you hold which in fact define your very existence.