In European and American society, many pundits started to lament the death of literature; looking at youth who were getting more and more attracted to sitcoms - hard, adventure films and said, our children are no longer reading, or else they're reading cartoons.

You accept whoever you are interacting with, directly, or indirectly.

With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.

Power is domination, control, and therefore a very selective form of truth which is a lie.

I have no money to give to you but I have ideas and organizational capacity.

My mind immediately shot to South Africa the moment I sat down to think what I was going to write, what I was going to say. There was no other choice.

I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.