I never hesitated, as a student, in embracing the necessity of violence. In South Africa, I didn't just accept it; I looked forward to it as a mission.

I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.

The media owes the responsibility to constantly tell the public the truth.

I grew up in an atmosphere where words were an integral part of culture.

. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare - how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.

For me, a writer is already being the deuce of his mission, his occupation to society.

There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?