It is a great consolation for me to remember that the Lord, to whom I had drawn near in humble and child-like faith, has suffered and died for me, and that He will look on me in love and compassion.

The best way to learn is through the powerful force of rhythm.

I should like to know for what reason idleness is so popular with many young people that it is impossible to dissuade them from it either by words or by chastisements.

Music is my life and my life is music.

I have never written the music that was in my heart to write; perhaps I never shall with this brain and these fingers, but I know that hereafter it will be written; when instead of these few inlets of the senses through which we now secure impressions from without, there shall be a flood of impressions from all sides; and instead of these few tones of our little octave, there shall be an infinite scale of harmonies - for I feel it - I am sure of it. This world of music, whose borders even now I have scarcely entered, is a reality, is immortal.

Even when I can play Europe's most precious keyboard, to have to listen to people who don't understand, or do not want to understand, and who are incapable of grasping my intent, whatever I play, does surely forfeit my lust for playing at all.

I will gladly give lessons as a favor, particularly when I see that my student has talent, inclination, and anxiety to learn; but to be obliged to go to a house at a certain hour, or to have to wait at home for a pupil, is what I cannot do, no matter how much money it may bring me in. . . I am a composer and was born to be a Kapellmeister. I neither can nor ought to bury the talent for composition with which God in his goodness has so richly endowed me. . .