The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.

I only painted when I felt like it and needed money. But it never really became a professional thing, even though the dealers would have liked that.

I once went to a demonstration in Aachen against fare increases on public transport. A police officer pulled out a bunch of my hair, and there were a lot of violent beatings. That's when I thought to myself: You'd better leave it alone.

I think that the most important requirement is to capture the essence of a piece of art. You look at it, essentially absorb it, and you have to be able to understand it visually without having to think about how it was done. I was already able to do that as a child.

I wouldn't be ashamed to sell my own art for a lot of money.

I can paint anything. Leonardo? Of course. But why? You couldn't sell it.

The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.