You get quick money, it's beautiful, there's sunshine, but at the end of the day, you find out it's all a masquerade, baby. It's not what it seems.

I was looking for Quincy Jones, that's who I was obsessed with. Watching Mike [Jackson], I always knew that I had to be a showman on stage, because when people come to you live you always want them to come back. You gotta give them something to remember.

I want to be part of a different kind of celebrity, one that thinks not just about charity but policy.

Coming from Haiti and growing up in Brooklyn, there's a lot of European influence when I get dressed up. I wear a lot of fitted suits, elegant cuts; I think it's cool to mash up a lot of different looks.

When you're talkin' about a great man, you're not talking more than one person. It's not about how many people are followin' you, it's about the fact that you're a great man, that's all it's about.

On Sundays I give the sermons like my dad used to give. I utilize it as a revolutionary tool, as a thinking tool, as a tool where I can recruit people, DM them, and give them information that I feel that they need going forward.

My first record wasn't even with the Fugees. I was signed to Big Beat Records, so I was signed back in 1989 to the label that the Knocks are on now. You can always tell which generation had the pulse based on how they see things.