Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition.

When you study our greatest artists, you will find that they give us a key to understand how to deal with each other, and that our bloodlines are intertwined. It's not hyphenated America. That there is an America, and it is expressed in those arts. It gives us a key to figure out how to negotiate with each other, and it tells us actually who we are.

Trumpet players are just belligerant, and cocky, and you know, just hard-headed.

He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.

The real power of Jazz is that a group of people can come together and create improvised art and negotiate their agendas... and that negotiation is the art

How great musicians demonstrate a mutual respect and trust on the bandstand can alter your outlook on the world and enrich every aspect of your life, understanding what it means to be a global citizen in the most modern sense.

I always like to play very contemporary concepts of swing right next to New Orleans music because it highlights continuum.