The bandstand is a sacred place.

Even in these times, there are still neighbors that will turn their backs on neighbors.

You can reach a situation where things of intelligence and refinement and culture can be considered elite, and things that are crass and ignorant can be considered to be real and of the people. And when you begin to have the mass of populus striving for something that's not worth striving for, then tremendous amounts of energy go into...the maintenance of that which is worthless.

New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.

My father was a teacher, my mama was a community worker, I taught in so many schools. So when you get that experience of how to communicate with younger people, put that hand on them and give them that old-school feeling, the maturity and adult, a lot of our kids just need the feeling of that love, and that's the frame of reference that I teach from and that's the frame of reference that all of our musicians in the Jazz at Lincoln Center.

It's important to address young people in the reopening of New Orleans. In rebuilding, let's revisit the potential of American democracy and American glory.

Art is a luxury. It's not necessary for you to - you can work your job and you can make some money and never know who Walt Whitman was, and never read a poem.