There's so much spirit of integration and democracy in jazz.

If you are serious about American culture and you are serious about Afro-American culture, you are in a lot of pain. You are not - you are not smiling about it.

I love Gustavo Dudamel and I love what he does for classical music, and I love what he comes out of, El Sistema and the old man Abreu. When we were in Venezuela, I had the chance to go to his building. He had, like, five or six orchestras playing of kids from the hood playing, like, Mahler's third symphony and Shostakovich fifth and Beethoven. Man, it's unbelievable. I mean, they could play.

The people are not coming because of me. They didn't come before me. It's because of a lack of education and understanding, so it makes me more motivated. It's like my mother said about having an artistic child - she learned more from him and he gets more attention and more of the love, not less.

The musicians I respected were much older than me. I expected them to cut my head, and they did.

If you want to be different, do something different.

Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the time line of human achievement, an ultimate value of art.