I'm not a person who writes really abstract things with oblique references. I look at abstraction like I look at condiments. Give me some Tabasco sauce, some ketchup, some mayonnaise. I love all of that. Put it on a trumpet. I've just got to have the ketchup and Tabasco sauce. That's my attitude about musical philosophy.

Don't bullshit' just play.

I'll write down and catalogue all the different devices that are Americana to me, and I try to have a historic depth and breadth and also the things that we do in our time, the type of vamps and chants, things that are available to us.

Everything comes out in blues music: joy , pain , struggle . Blues is affirmation with absolute elegance.

My daddy expected that my brothers and I and our generation would make the world a better place. He had lived in an America of continual social progress.

Louis Armstrong is jazz. He represents what the music is all about.

To say that the Afro American created jazz doesn't mean anything bad about Anglo Americans, and I always teach my younger jazz musicians that at this point the entirety of the American tradition is your heritage, and you need to know it.