A movie that is unable to elicit emotion isn't a movie.

I think that when you're in love, you progressively go back to who you are.

As a director you want to have actors, not only surpassing themselves, but also going somewhere, going different places.

When I write a film, I have already made the trailer

What motivates every other decision artistically or technically is the acting. This is what motivates everything. Never can a camera move be incompatible with the emotion of the actor at that moment. The movement, the style, the atmosphere, everything is dictated by the actor.

Women have to define themselves in the eyes of men. They have to fight for their rights, especially in a society that will pretend that there is no fight or no battle, that it's a cliché, that feminists are reactionary, all these things.

I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.