What a terrible thing it is to botch a farewell.

Dawn came and matters were worse for it. Because now, emerging from the darkness, I could see, what before I had only felt, the great curtains of rain crashing down on me from towering heights and the waves that threw a path over me and trod me underfoot one after another.

[The taxidermist is] a historian, dealing with an animal's past; the zookeeper is a politician, dealing with an animal's present; and everyone else is a citizen who must decide on that animal's future (...) The indifference of the many, combined with the active hatred of the few, has sealed the fate of animals.

Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.

How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?

My zoology thesis was a functional analysis of the thyroid gland of the three-toed sloth. I chose the sloth because its demeanour - calm, quiet and introspective - did something to soothe my shattered self.

I went about the job in a direct way. I took the hatchet in both my hands and vigorously beat the fish on the head with the hammerhead (I still didn’t have the stomach to use the sharp edge). The dorado did the most extraordinary thing as it died: it began to flash all kinds of colours in rapid succession. Blue, green, red, gold, and violet flickered and shimmered neon-like on its surface as it struggled. I felt I was beating a rainbow to death.