So much of my work is as Yara, not as a character. If you're attacking my work as a philanthropist or activist, you're attacking Yara. But because of "Black-ish" and this national audience we have, I get to have a larger or louder voice.

I really love hip hop. My cousin Nas came out with an album Life Is Good, and I love that album, but I also love Maroon 5.

Part of why history is so important in my life is because it brings you an awareness that everything isn't new. It gives context to what's happening right now. History is cyclical but circumstances and technology change. So when social justice topics come up, they're not new. They're just being covered more. We have more ways to record it now.

When you're aware, from a young age, of how something plays in public, it makes you a young entrepreneur, whether you like it or not. I call most teenagers 'young entrepreneurs' because from a young age we're aware that our social media is building our brand. And if, when you're 13, you're concerned with building your brand, then "like" disparities matter.

I try to preface everything with "this isn't new." Because most social movements have happened before and I get that. Nothing I'm doing is new.

So much of my work is as Yara, not as a character. If you're attacking my work as a philanthropist or activist, you're attacking Yara. But because of "Black-ish" and this national audience we have, I get to have a larger or louder voice.

Week-by-week you grow with your character and it's an interesting challenge.