What is the point of making the film if the man doesn't marry the girl?

I was in Lahore before the partition, so I don't believe that a border can truly separate Punjab. I still think of it as one.

[on the reason for his seven-year hiatus in direction] My son Aditya made Mohabbatein, which took a lot of time and energy. Then we started looking for a script for me to direct. Nothing seemed to excite us both. There's a complete bankruptcy of screenwriting in our cinema. I wanted a very earthy and Indian subject. I was tired of the promos on television. With semi-clad girls, they all looked the same. Of course Dhoom has them too. But I'd personally not make a film like that.

My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well.

I'm not making films just to be bold.

Though "Veer-Zaara" is a film about cross-border love, there isn't a word of politics in it. Forget politics, there isn't slap, not even a raised voice in "Veer-Zaara"(2004). It's a very intense, humane and emotional story. "Veer-Zaara" (2004) is a humble tribute to my home in Punjab. It's my tribute to the one-ness of people on both sides of the border. Every religion preaches peace. Then why the bloodshed for the sake of religion? Why are we destroying each other?.

I don't make romantic films. I make films about human relationships.