Going forward, anything that Richard [Ayoade] asks me to do, I would be so honoured... even if it's sweeping the street because he's such a great person and a great friend.

I really admire police officers, surgeons, or anyone who works in high stressed situations.

Richard [Ayoade] likes working with people that he knows. So, I already knew all of the crew and practically everyone and we all felt comfortable. It's nice to be able to go into somewhere where there's no pressure, and where people are supportive and believe in you.

With Submarine, when I came out of school, people were so lovely and supportive. And you don't get that experience very often. It felt like a family on-set. So Submarine changed so much for me.

When I'm filming something, I quite forget that it's all still got to come together and be edited. I'm so engrossed in trying to do the best I can on a day to day basis that I forget that people will see it and judge it.

To work with Richard [Ayoade] is my favourite thing in the world. He is my favourite person. So, it was great for me to be involved in a project that was, again, so different and with such wonderful actors. Everyone from Submarine is in the film in one way or another, which helps because it really does feel like a family.

I was 17 when it was being filmed and so I was at an age where you are learning a lot about yourself. I came out of school to film it, and I hadn't been having a good time in school before that. I get quite shy around big groups of people. If I meet people, especially my peers and people my own age, I always struggle because I've always worked with adults and they have a tendency to molly coddle you a bit when you're the youngest on-set.