Of course, the process of curating is different from art making. Exhibition-making is a process that involves collaboration with various participating artists.

To think about "oblivion" is to think about "what art is".

Of course, I, like the sponsoring government, would like to have as many people as possible visit Yokohama Triennale. This is because I believe that art should not be monopolized by professionals and specialists.

By putting a border line between life and death, we separate the world of death from our world of life, casting the dead away into the "world of oblivion".

When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.

This is why there is not any artist who takes Internet as the theme. My position is quite the opposite to the current trend of art, but this is exactly why the title of my exhibition is "ART Fahrenheit 451".

I have always thought that it would be nice to not complete the exhibition in one place and close off the others as a result. Exhibitions should connect with various locations and promote exchange and interaction.