It was clear: I was sick. I never used to dream. They say in the old days it was the most normal thing in the world to have dreams. Which makes sense: Their whole life was some kind of horrible merry-go-round of green, orange, Buddha, juice. But today we know that dreams point to a serious mental illness. And I know that up to now my brain has checked out chronometrically perfect, a mechanism without a speck of dust.

What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturabtion … whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.

Life itself today has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to an amalgam of reality and fantasy.

But you can't plead with autumn. No. The midnight wind stalked through the woods, hooted to frighten you, swept everything away for the approaching winter, whirled the leaves. ("The North")

The most effective way of destroying art is the canonization of one given form. And one philosophy.

Don't forget that we lawyers, we're a higher breed of intellect, and so it's our privilege to lie. It's as clear as day. Animals can't even imagine lying: if you were to find yourself among some wild islanders, they too would only speak the truth until they learned about European culture.

The microspeed of the tongue ought to be always slightly less than the microspeed of the thoughts and certainly not ever the reverse.