None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.

Accentuated plainness and accentuated vice ought to bring about harmony. Beauty lies in harmony, in style, whether it be the harmony of ugliness or beauty, vice or virtue.

The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)

There is no joy nobler than suffering for the sake of love for man.

The most wonderful thing in life is to be delirious and the most wonderful kind of delirium is being in love. In the morning mist, hazy and amorous, London was delirious. London squinted as it floated along, milky pink, without caring where it was going.

We have lived through the epoch of suppression of the masses; we are living in an epoch of suppression of the individual in the name of the masses; tomorrow will bring the liberation of the individual - in the name of man.

If we have no heretics we must invent them, for heresy is essential to health and growth.