It meant something to me – the idea of a coat guarding and hiding a woman’s body. For me, a woman who is absorbed in her work, who does not care about gaining one’s favor, strong yet subtle at the same time, is essentially more seductive. The more she hides and abandons her femininity, the more it emerges from the very heart of her existence.

Generally speaking, I am not interested in the future and don't believe in it. First, I guess it is true that I don't trust the future, but, more to the point, I don't even trust the "myself" of tomorrow, nor, for that matter, of the day after. Basically, all I know, and all I am capable of understanding, is the "me" that is here, now, the "me" that has dragged his past with him to this point.

I was on a Japanese designers' pedestal - considered a maestro. My design was getting closer to a couturier's work, and I felt like I was missing something.

I always want to have a new challenge involved. I need to put myself to the test, and if I make mistakes, it doesn't matter. What matters to me, instead, is making my dreams come true and putting them on display.

In order to create an image almost similar to that of a pencil case standing up and walking, I try to eliminate all excess by cutting. I have the feeling that this process (of "cutting off") is linked in some way to "elegance". Elegance and so-called "eliminating excess", or the beauty that remains after excess has beeen eliminated...

Beautiful things are disappearing every day.

A beautiful flower does not exist. There's only a moment when a flower looks beautiful.