Initially, when I was making the bagpipes and reed instruments, it was different from the other instruments. In terms of sound itself, it may not be different, but in performing with it, it was a necessity to build it if I was going to perform and make scores with it. By making the instruments, it helped me compose the way I want.

I was an ignored guy and have been for many years. But I suppose I became well-known after being ignored. After the release of the CDs and LPs, especially the LPs, people like it. I was impressed.

Scottish bagpipe has two tenors and one bass - three drone pipes - and then the one chanter. If you put bagpipes together, it creates such a fine sound.

I don't think I differentiate between composition and improvisation. Improvisation could be a large part of a composition.

I remember, in elementary school, being asked what my father does and not knowing how to answer. When I asked my mom what I should say next time, she replied, "Just say he's self-employed." I love that.

When I was just getting started making my own music, my dad said, "You should think about art, but also anti-art and non-art."

I wasn't so interested in merchandising through CD or whatever form. I wasn't really so aggressive about promoting my own work. I had my recordings from the past, but I never thought someone was interested in releasing it.