For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.

I remember, in elementary school, being asked what my father does and not knowing how to answer. When I asked my mom what I should say next time, she replied, "Just say he's self-employed." I love that.

I don't want to release things too similar to each other. I've been working on selecting something different from my other work.

Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.

Scottish bagpipe has two tenors and one bass - three drone pipes - and then the one chanter. If you put bagpipes together, it creates such a fine sound.

Initially, when I was making the bagpipes and reed instruments, it was different from the other instruments. In terms of sound itself, it may not be different, but in performing with it, it was a necessity to build it if I was going to perform and make scores with it. By making the instruments, it helped me compose the way I want.

I was an ignored guy and have been for many years. But I suppose I became well-known after being ignored. After the release of the CDs and LPs, especially the LPs, people like it. I was impressed.