I think most people get hit by the music first and you can be singing along and realize a song has this melancholy feel. As Swedes, I think we see a beauty in melancholy. You're heartbroken, you're looking out the window and you feel really at ease in the pain. I have so many memories as a teenager with music, sad music, but I was just so into it.
Yukimi NaganoI think we're a little bit protective in that way. You're always trying to balance between what's spreading the word about the band and what's good money and what's a shitty look. Is this good for the longevity of the band? Do people even care these days? We care, but do we care more about the money? We've had a lot of discussions about things. It gets us into a lot of fights, but it also makes you question your own morals in a really good way.
Yukimi NaganoOnce you've had a real taste of touring it's like, "Okay, it's pretty amazing that we have real fans and we can go out and play shows," but you start to feel a personal need, like, "Okay, I think it's time to go home for a minute."
Yukimi NaganoA tiny detail can make you feel completely different. I feel different if I wear something that I'm slightly uncomfortable in.
Yukimi NaganoIt's weird with making music - you can have no vibe while you're working on something and recognize that the music was special afterwards. And it happens to me while I am working on my own music, as well! One minute you hate it, and then a few years you're obsessed with a little beat you did, and the opposite.
Yukimi NaganoYou want inspiration to come in a natural way and let it happen when it's going to happen. The last thing you want is this ghost looming over you saying "it has to be good" - remember that feeling of loving what you do, and don't let the business aspect murder that. It takes away the creativity for me.
Yukimi Nagano