The most appropriate type of daily life for me was a day-by-day world destruction; peace was the most difficult and abnormal state to live in.

He had never looked forward to the wisdom and other vaunted benefits of old age. Would he be able to die young—and if possible free of all pain? A graceful death—as a richly patterned kimono, thrown carelessly across a polished table, slides unobtrusively down into the darkness of the floor beneath. A death marked by elegance.

Other people must be destroyed. In order that I might truly face the sun, the world itself must be destroyed.

True beauty is something that attacks, overpowers, robs, and finally destroys.

In the pale light of daybreak the gravestones looked like so many white sails of boats anchored in a busy harbor. They were sails that would never again be filled with wind, sails that, too long unused and heavily drooping, had been turned into stone just as they were. The boats' anchors had been thrust so deeply into the dark earth that they could never again be raised.

We tend to suffer from the illusion that we are capable of dying for a belief or theory. What Hagakure is insisting is that even in merciless death, a futile death that knows neither flower nor fruit has dignity as the death of a human being. If we value so highly the dignity of life, how can we not also value the dignity of death? No death may be called futile.

The special quality of hell is to see everything clearly down to the last detail.