He was in a room of the Gesshuuji, which he had thought it would be impossible to visit. The approach of death had made the visit easy, had unloosed the weight that held him in the depths of being. It was even a comfort to think, from the light repose the struggle up the hill had brought him, that Kiyoaki, struggling against illness up that same road, had been given wings to soar with by the denial that awaited him.
Yukio MishimaThe images which the [press] photographer has filtered from reality, whether particular events or the anguish of human reactions to them, already bear a stamp of authenticity which the photographer is powerless to alter by one jot or tittle; the meaning of the objects, by a process of purification, itself becomes the theme of the work.
Yukio Mishimaโฆthe samurai ethic is a political science of the heart, designed to control such discouragement and fatigue in order to avoid showing them to others. It was thought more important to look healthy than to be healthy, and more important to seem bold and daring than to be so. This view of morality, since it is physiologically based on the special vanity peculiar to men, is perhaps the supreme male view of morality.
Yukio MishimaDreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.
Yukio MishimaYet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure continuance; it is certain never to be repeated; like the existence of dayflies and other such short-lived creatures, beauty is a perfect abstraction and creation of life itself. Nothing is so similar to life as music.
Yukio Mishima