Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.

Cursing themselves in ragged dreamsfire has singed the edges of,they know a slow dying the fields have come to terms with.Shimmering fans work against the heat& smell of gunpowder, making moneyfloat from hand to hand. The next momenta rocket pushes a white fistthrough night sky, & they scatter like birds& fall into the shape their liveshave become.

Poetry is a process of getting back to the unconscious. Hence, I am always writing-even when I'm not facing the white space. I feel writers are like reservoirs of images. We take in what is around us.

I define poetry as celebration and confrontation. When we witness something, are we responsible for what we witness? That's an on-going existential question. Perhaps we are and perhaps there's a kind of daring, a kind of necessary energetic questioning. Because often I say it's not what we know, it's what we can risk discovering.

Poetry is a kind of distilled insinuation. It's a way of expanding and talking around an idea or a question. Sometimes, more actually gets said through such a technique than a full frontal assault.

We have to embrace the good over the bad. That has to be one's personal project.

I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.