The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.

The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art.

Color is sensitivity in material form, substance in its purest form.

I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.

Blue suggests the sea and sky, and they, after all, are in actual, visible nature what is most abstract.

I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!.. ..the immaterialisation of blue, the coloured space that can not be seen but which we impregnate ourselves with.

Blue has no dimensions, it is beyond dimensions, whereas the other colours are not....All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.