There’s definitely times when you’re frustrated for whatever reason, but that happens on fifty million dollar movies when you have a huge trailer, so who cares?

I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.

When we have that scene where I shoot that huge machine gun, my first thought was "Why does anybody want this? What is the point of something like this?" I know some people feel powerful or whatever and I'm just like, " I feel like I want nothing to do with this."

I used to like the word of the day and when I read, highlight words that I didn't know and look them up.

James DeMonaco is one of my favorite directors I’ve ever worked with. I think he shoots really well and all that, but the work environment he creates – he makes everyone feel respected, he makes everyone feel appreciated, and he’s a true collaborator.

I think my strength is always been in being very natural. I think Shakespeare and things like that would be more a stretch for me.

I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.