I would rather a sex tape make its way out than a video of me doing all of the different grunt sounds. I'm not eager for a sex tape to leak, but in terms of personal humiliation, I'd feel less vulnerable to be in a Kim Kardashian situation than seeing myself grunting in a booth.

I think I gravitate towards characters who are slight outsiders. It's fun to play a character that wants so badly to be included in the normal activities of teenage life, but lacks the literal hardware to do it.

It's always fun to improvise. What's weird is that when you're recording, you're by yourself, for the most part.

As I get older, I think I'm more interested in comedy that doesn't take cheap shots. But I watched some of that Justin Bieber "roast" and I thought it was hilarious.

There's some boring advice for improvisers beginning their careers like "see as much of it as you can and do as much of it as you can." Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.

I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.

I remember the first joke that I made, which went over terribly. I was at my cousin's birthday party in Brooklyn. I was a little kid and she was a little older. They were going around introducing themselves; I was probably four, and I was very eager to impress all of these older New York kids. They went down the line and were like, "I'm Jake," "I'm Jane," "I'm Silvia," and I said, "I'm hungry," because I thought that was really going to bring the house down.