It's always fun to improvise. What's weird is that when you're recording, you're by yourself, for the most part.

The days that you record by yourself, you feel like a crazy person because you're saying the same line, 10 different ways, or they ask you for 10 different grunting sounds and you just feel like such a schmuck. It's crazy! When there's other people there, it tethers you to something, in a nice way.

We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.

A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.

I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.

Steven Spielberg name is synonymous with Hollywood. You sometimes meet people who revel in their own mythology, and he doesn't feel like that, at all. He's very approachable, accessible and sweet. Even if he wasn't, I'd have to say that because the man runs everything.

If I was a part of secret ninja group my power would be the power of apology. I would just apologize emphatically and freely. And my mech might just be a phone to send apologetic emails from.