My mom worked at [American] Vogue before I was born. She has always been fashion-minded. I grew up with original Yves Saint Laurent sketches on the wall in our house. A lot of that rubbed off on me.

To be told that you're the voice of your generation is such an incredible amount of pressure, and I haven't faced that. Maybe by the time our third record rolls around, I will. My goals are to be a band like that in five years. At the moment, though, I can't really relate in any sense to the scale that Kurt Cobain fame has reached.

I don't know if there's anything that would surprise people, because I don't think that anybody knows anything about me at all. There's not much out there. I think I'm going to come out with a pretty dark and troubled record, and it might upset some people.

It's pretty easy to lose money on tour - most bands do on their first couple of tours. We're more established, but I think it was just poorly booked. It was a mess from the get-go.

We were a commodity used by corporations to make their brand look fashionable, but then they used us to keep kids out of venues.

Nobody really wanted to do that one European tour. For one, it was budgeted to lose money. They would've made something, but I would've lost a lot of money.

I was raised by all women. I had no men in my life; it was my mom, my sister, and my grandmother. I've never identified as a man. I've always either felt like a boy or something else. I feel really uncomfortable thinking that, technically, I'm supposed to be a man, because I don't feel like one.