I find that communication as an actor and person is an important part of who I am. And I'm really drawn into the psychology of those dynamics.

It's a very complicated landscape and I don't think there's one easy answer about it [Edard Snowden movie].

I remember having to hit a mark and having no idea how to do it, real childlike stuff, because Carnegie Mellon didn't do an extensive job preparing us for film and television. It was very much a theater program. That was my first job. It was cool. I was glad it was.

We just have to have visibility. We have to have acknowledgement. We have to have accountability to how we treat one another.

Zoe Saldana is such an angel. She’s got such an openness and vulnerability on camera and yet such great strength. She can kick ass with the best of them, but then she can soften and open up in a way that is magnetizing whether you’re watching her on set or on screen – she’s got a real power to her. I love her; we’ve known each other for years and it’s great to come back to that kind of familiarity, especially when you’re working with such intimacy.

Who's to say what would have happened if I had trusted my instincts and moved to New York like I thought I would.

Heroes' really changed the game for me in a way that nothing before it had.