I came up during the 'Star Wars' generation and that was sort of the thing I plugged into much more. It was a little before my time and I think it was sort of grappling with these intellectual ideas that were a little advanced for my young mind. At the time. But now I have a much deeper appreciation for it.

We just have to have visibility. We have to have acknowledgement. We have to have accountability to how we treat one another.

I saw how vulnerable we all are and how exposed we all are and how this is an issue that affects everyone who owns a piece of technology. Which is certainly most people in this country.

The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.

I like dreams. I think there's a lot of information in them. I spent a lot of time on Jungian analysis and dreams are an elemental part of that process. Carl Jung believed very much in the power archetypes in dreams, what dream imagery means, and how you can tie it into deeper self examination. It's a big part of the therapeutic process.

The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.

Zoe Saldana is such an angel. She’s got such an openness and vulnerability on camera and yet such great strength. She can kick ass with the best of them, but then she can soften and open up in a way that is magnetizing whether you’re watching her on set or on screen – she’s got a real power to her. I love her; we’ve known each other for years and it’s great to come back to that kind of familiarity, especially when you’re working with such intimacy.