I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.

I imagine the film ["300"] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.

The cool thing about Watchmen is it has this really complicated question that it asks, which is: who polices the police or who governs the government? Who does God pray to? Those are pretty deep questions but also pretty fun questions. Kind of exciting. It tries to subvert the superhero genre by giving you these big questions, moral questions. Why do you think you're on a fun ride? Suddenly you're like how am I supposed to feel about that?

It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.

The truth is the music is really an incredible personal part of the movie. When I was drawing the storyboards for Watchmen, I had just gone to my iPod and was grabbing music. It took me about two weeks to really put my playlist together. But once I had it, I kinda just put my headsets on and drew for five months. But that music's the music that's in the movie.

We've tried as hard as we can into keep the ideas intact in the hail storm that is Hollywood, so, whether he is or not, I'm personally proud of what I've been able to jam down their throats.

I write in a pretty straightforward way. I kind of sit down at page one and start writing.