You can't have a Superman that is battling cultural morality. You need a Superman that has built in sort of values.

Of course it would depend on the project, but I don't think I could ever separate myself from my aesthetic.

Everyone has an angel, a guardian who watches over us. We can't know what form they'll take. One day old man, next day little girl. But don't let appearances fool you, they can be as fierce as any dragon. Yet they are not here to fight are battles, but to whisper from a hearth. Reminding that it's us... it's everyone of us who holds the power of the worlds we create.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

Well, Bradbury's a genius. Fahrenheit 451 is one of my favorite books of all time, and The Illustrated Man as a collection of short stories ranks up there. When you read it you realize how influential it is on so many other stories and people.

don't mean to sound weird but I get so immersed in the source material when I'm working on a movie that I kind of lose the line between what I thought of and what was in the book.

Also I've got to say in the movie ["300"] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!