I guess I've always written more from the opposite perspective, that kind of existentialist perspective which argues that existence precedes essence. And there really isn't anything essential in there - you're the product of your actions, which can always change. And they retrospectively make you one way or another.

Our children will be born of our actions. Our accidents will become their destinies. Oh, the actions will remain. It is a simple matter of what you will do when the chips are down, my friend. When the fat lady is singing. When the walls are falling in, and the sky is dark, and the ground is rumbling. In that moment our actions will define us. And it makes no difference whether you are being watched by Allah, Jesus, Buddah, or whether you are not. On cold days a man can see his breath, on a hot day he can't. On both occasions, the man breathes.

I love to dance, and sing - in the shower, not in public. Im too old to go raving, but my fondest memories are of that kind of thing - dancing, with lots of people, outside if possible.

Art is the Western myth, with which we both console ourselves and make ourselves.

The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.

When people use that stream of consciousness, it's kind of just a term they use for anything that looks slightly different on the page.

I find it impossible to experience either pride or shame over accidents of genetics in which I had no active part. I'm not necessarily proud to be female. I am not even proud to be human — I only love to be so.