English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Zadie SmithThis because it is never really very cold in England. It is drizzly, and the wind will blow; hail happens, and there is a breed of Tuesday in January in which time creeps and no light comes and the air is full of water and nobody really loves anybody, but still a decent jumper and a waxen jacket lined with wool is sufficient for every weather England's got to give.
Zadie SmithIt's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.
Zadie SmithWhen I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who'd briefly joined a religious cult and then discovered Foucault. Such is life.
Zadie SmithI remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.
Zadie Smith