For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
Zadie SmithTo a novelist, fluidity is the ultimate good omen; suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.
Zadie SmithMy short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
Zadie Smith