You can feel bad... I mean, that's not illegal.

Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.

I don't keep any copies of my books in the house - they go to my mum's flat. I don't like them around.

I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.

But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.

To a novelist, fluidity is the ultimate good omen; suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.

The golden age of Luncheon Vouchers ended ten yearsago. For ten years Mickey had been saying, "The goldenage of Luncheon Vouchers is over." And that's what Archieloved about O'Connell's. Everything was remembered,nothing was lost. History was never revised orreinterpreted, adapted or whitewashed. It was as solid andas simple as the encrusted egg on the clock.