I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.

My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.

It would be very interesting to design objects for everyday life, something where the ideas that are expressed can be launched into society.

I find industrial cities exciting. I like their toughness.

There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.

They all come out from the same thing; all the projects are connected somehow.

All the privileged can travel, see different worlds, not everyone can. I think it is important for people to have an interesting locale nearby.