In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.

I loved London. In the 1970s... it was very exciting, really wild.

You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.

I made a decision when I was in school that I'd have a lot of male friends.

I will always have two regrets. I don't have a presence in London, and I would have liked to have done more work in the Middle East.

You don't always have to show art in what's called a white box; you can have a kind of complexity within an exhibit which actually respects the art as well.

They all come out from the same thing; all the projects are connected somehow.