There is an art to acting, and there are techniques that are acquired. You can be as emotional as you'd like, as a person, but figuring out ways that you can bring specific emotions at specific times and have them be true, and relating to someone as someone that they're not, is a lot.

Some of my best friends are like, "I love that you are just the biggest pussy on the planet." And I have no problem with it at all, I love it. But it took a long time to understand that that's a part of my tapestry.

I mean, acting or stunts, doing my job means doing my job, and I'm loving it. It's fun to put my face in front of the camera; I'm really enjoying the process. But at this point, it's still just not too easy to go around describing myself as an actor. It took me a good long while to get to where I could do it not only without laughing, but without trembling a little bit, which is terrible, but... I mean, I was really hesitant to 100 percent walk down that path, to expose myself to that.

My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.

Being a stunt girl is very much my comfort zone, so I had to remove the comfort zone to step fully into the slightly scarier zone. Also, just being perceived as an actor by the outside world, rather than as the stunt girl who does dialogue, has been a part of the challenge in front of me.

I'm a poster child for feminism whether I like it or not, but I was resistant to the part of me that was a woman.

When being a stunt double, my job has always a supportive role, which is interesting, really. Part of what I really like about it is making a situation where people can just come out of their shell and be super bad-ass. That's exciting!