I don't feel like I possess a particular political intelligence, and when I read work that does, I feel like somebody else is going to have the right political thing to say. As a citizen, I feel an enormous need to respond, and immediately post-election, I felt like, What is my work worth? Should I quit what I'm doing and go work on the 2018 election now? How is what I'm putting into the world meaningful?

I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.

There's part of me that's grateful for the delusion, because it takes a very hard shell to get started as an actor, and I don't have a very hard shell.

I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.

Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.

I have a sister that I'm very close with, and that relationship is probably the most intense relationship of my life to date, probably of my life, period. I think that when you're close with a sibling, especially a sister, it's a relationship unlike any other.

I don't love the word "quirky." I think it's a word that's a catchall. It's a word that doesn't stand in empathy with the person, it stands in judgment of them. It's a very externalized word.