I've gotten incredibly lucky with the people I've gotten to work with. It's made my mind better, and it's made me a better person.

I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.

I'm always disappointed after an audition when I don't get a part and I hear, "Oh, she was too X, or too Y," and it's too much of a quality.

There are people a lot smarter than me investigating nature versus nurture who would have a lot to say about that, but I think it's an enormous privilege to be born into a family where my parents had enough time to read to me and listen to my stories and foster my imagination. It's a privilege to have time to investigate your imagination. And not to have, like, an amount of stress on you as a kid that prevents you from maturing creatively.

I would not wear any clothes that had a brand name on them, and I only read books that were canonical.

I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.

I don't love the word "quirky." I think it's a word that's a catchall. It's a word that doesn't stand in empathy with the person, it stands in judgment of them. It's a very externalized word.