I'm pretty sure I ate ants in Mexico.

Most of the things I'm talking about are essential human rights. I don't think it should be political to say that children should be able to have lunch at school when their families can't afford to feed them properly, or to say women should have access to basic health care, or that Muslims deserve equal protection under the law, or police shouldn't be killing black people and getting away with it - it shouldn't be a political thing to say. A lot of people on the right standing behind Christian values should be standing with us, because equality is a basic tenet of Christianity.

What I did have was an incredible amount of belief in myself.

I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.

My hero is Michelle Williams, who I grew close to when we did 'Meek's Cutoff.' She's an extraordinary actor and mom.

I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.

So often you're asked to play impossibly perfect version of yourself on screen that it's nice to get to bring in those parts that you think aren't as worth looking at.