When you're making an independent film and you care about it so much you do all the prep work beforehand.

The kinds of things I like with crystals are the really beautiful costume jewelry, vintage pieces, and they usually have that diamond shape.

Anyone that is able to put a high school film and gonzo journalism together, it's like, "Yes, please!"

When you look cakey, or you have too much on, and you actually see the makeup, the makeup isn't doing its job. When you use the makeup in a way where the people aren't thinking about the makeup, and they're looking at you, that's what we want.

When I read the script [of Good Kill], it read like a science fiction film. And Andrew [writer/director Andrew Niccol] is known for sci-fi. But when I spoke to him, he said this picture was 100% factual, which blew my mind. I realized then how little I knew about the drone program. And I felt that, if I knew so little about it, there must be others who should be educated about what's going on.

I think it [my first heartbreak] probably just taught me that you will always heal. That this too shall pass. The first time you feel that sort of pain, you think it's never going to go away. Once you do survive it, you realize you can survive anything.

I was pretty lucky, I went to a really great school. I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.