I always strive to keep a balance with my fears. I don't like to be ruled by them. At the same time, I don't like the idea of living my life totally free of any fears. I like having that moderation.

It's important for a director to provide as much information, especially when we're working with things that we have to conceive out of thin air. You can't just expect an actor to understand: 'Oh, there's a dinosaur coming at you". OK, so I'm going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he's screaming at me or when he's blowing smoke or air in my face?

Look at me. I’m skinny, I have a big nose, no tits and no ass, but in a room full of beautiful women, I would still leave with the most gorgeous guy.

As a woman, you spend so much time either cooking or getting ready to go somewhere. I like to have music when I'm doing either of these things.

In Caribbean there is no middle class: you're either rich or you're poor. And the ladder to success is not really a ladder, it's a chain; once you reach a certain level, you can't go back and you can only keep going forward.

As actors you have this trait to imitate very easily. I don't want to imitate anything or limit myself of finding this creature, this woman because I'm looking at magazines and I'm reading comics, and I'm asking people that are avid readers of The Guardians.

As an artist, I like working with filmmakers that have the balls to kind of imagine the unimaginable. Those are kind of the radicals that I identify with.