Where people really base their principles has nothing to do with the color of someone's skin, it has to do with money and their class.

I think as an American society, when we're paying too many taxes or dealing with war, we don't want to see sad things at the movies.

Not to settle. If you're not happy with a person, leave. And wait until you find that one person who makes you feel good about yourself every single day and is not expecting you to change, but to grow.

I felt a combination of happiness and humility [ to People Magazine's 100 Most Beautiful People ]. At the same time there's a lot of pressure, because people can approach you whose intentions aren't in the best place, and they can say things that are very hurtful. And on one of those days when you wake up and you just go and get your coffee without worrying about looking your best, you make yourself vulnerable to someone who'd say something like, "You look awful for being on the Top 100 list."

Call me crazy - I love elk meat!

For me, it's very important if I do action movies and I have a stunt person, to work with them. Not only by memorizing the choreography but also it's important to study that individual and it's imperative for that individual to study you because you're not playing two different people, you're playing the same person.

As an artist, I like working with filmmakers that have the balls to kind of imagine the unimaginable. Those are kind of the radicals that I identify with.