I know for sure that nothing matters.

A lot of times I have the song inside of me and I have to fight to get it out. I'm a very visual person, so I can see the song but I can't hear it. But I think that if your music becomes a war for it to happen, in the end there's a certain kind of aggression in the music. And I think that's a lot more interesting.

I think I'm making music that's pretty universal.

I don't find much influence in opera. It was such a different part of me.

True expression is hard when performing opera. The problem is that opera relies on the dramatic context of the piece. It can be interpreted and represented, but there are guidelines; there is a vocabulary within the pieces that you must know objectively and reflect.

I feel like humans are a disease. It's a hard thing to communicate in a pop song. I mean, who wants to hear that?

And my music is always such a release of what I feel inside, an impulse.